| Table of Contents |
| | Introduction: New Perspectives on Nineteenth-Century Art: Views from Across a Century / Petra ten-Doesschate Chu, Laurinda S. Dixon | 15 |
| Pt. I | Exhibitions | |
| | "Beware Possible Intrigues Against Gold Award": Rookwood Pottery at the 1889 Exposition Universelle / Elizabeth Fowler | 23 |
| | Declaration of Empire: The United States National Pavilion at the Paris Exposition of 1900 / Diane P. Fischer | 29 |
| | Reframing the Modern: National Image and Joseph Maria Olbrich's Design for the St. Louis World's Fair of 1904 / Sarah Sik | 39 |
| Pt. II | Museums and Other Art Spaces | |
| | On the Frontier: The Origins of the Minnesota Museum of American Art / Julie L'Enfant | 49 |
| | Transatlantic Collecting: Paris to Minneapolis / Janet L. Whitmore | 56 |
| | Telfair's Artist Statues: From Vienna to Savannah / Jane Van Nimmen | 64 |
| Pt. III | Marketing and Collecting Art | |
| | Goupil's Album: Marketing Salon Painting in the Late Nineteenth Century / DeCourcy E. McIntosh | 77 |
| | A Forgotten Collector Makes His Mark: William Mead Ladd and Print Collecting at the Turn of the Century / Lisa Dickinson Michaux | 85 |
| | Julien Dupre: The Making, Unmaking, and Remaking of an Academic Reputation / Howard L. Rehs | 93 |
| Pt. IV | Artistic Practice and Collaboration | |
| | John Ruskin and the Ethics of the Picturesque / Frances S. Connelly | 103 |
| | Daubigny, Courbet, and the Sluice Gate at Optevoz / Michael Marlais | 110 |
| | Max Ernst and J. J. Grandville / Clive F. Getty | 116 |
| Pt. V | The Decorated Environment | |
| | Goya's Ambiguous Saturn / Edward J. Olszewski | 127 |
| | Siegfried Bing and Charles Conder: The Many Faces of "New Art" / Petra ten-Doesschate Chu | 133 |
| | Whistler's 1881 Venice Pastels Exhibition: An "Arrangement in Olive Green and Venetian Red" / Deanna Bendix | 141 |
| Pt. VI | Chinoiserie and Japonism | |
| | Power and Patronage: Empress Eugenie and the Musee chinois / Alison McQueen | 153 |
| | Hugues Krafft's Midori-no-sato: The Art of Bringing Zen to the West / Annette Leduc Beaulieu | 162 |
| | Art or Ethnography: The Histories of Some Far-Eastern Objects from the Louvre, Now in the Musee des Beaux-Arts, Brest / Genevieve Lacambre | 171 |
| Pt. VII | The Response to Feminism | |
| | Mary Elizabeth Braddon: Negotiating the Business of Victorian Respectability / Colleen Denney | 183 |
| | Paper Ladies: Locating the Nineteenth-Century Cocotte in Popular Literature and Journal Illustrations / Elizabeth K. Mix | 193 |
| | Emmanuel Fremiet's Gorilla Carrying Off a Woman: Beauty, the Beast, and Their Contexts / Laurinda S. Dixon | 204 |
| Pt. VIII | Art and Nationalism | |
| | Modernism and Nationalist Architecture in Estonia / Steven Mansbach | 215 |
| | The Origins of the American Memorial Tradition: The Monument to General Richard Montgomery / Sally Webster | 222 |
| Pt. IX | Revisions | |
| | Jean-Frangois Raffaelli: A Unique Voice in the Crowd / Polly Sartori | 231 |
| | Fernand Cormon's Cain: Epic Naturalism in Nineteenth-Century History Painting / Chang-Ming Peng | 238 |
| Pt. X | Modernism and Modernity | |
| | The Pre-Raphaelites, Modernism, and Fin-de-Siecle France / William Hauptman | 249 |
| | Maximilien Luce and the Specter of Neo-Impressionism / Alastair Wright | 254 |
| | "As ugly a monster as has been yet produced: Buffalo's Nineteenth-Century Grain Elevators / Francis R. Kowsky | 263 |
| | Dawn Patrol over No Man's Land: A Note on Aviation Architecture and Design of the Great War / John Zukowsky | 270 |
| | Notes on Contributors | 277 |
| | Index | 281 |
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